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dc.creatorCampbell, Donna
dc.date.accessioned2015-11-16T23:39:58Z
dc.date.available2015-11-16T23:39:58Z
dc.date.issued2010
dc.identifier.urihttp://hdl.handle.net/2376/5621
dc.description.abstractThis article discusses Edith Wharton's "The Looking Glass" and "The Day of the Funeral."en_US
dc.language.isoEnglish
dc.publisherEdith Wharton Reviewen_US
dc.rightsIn copyright
dc.rightsopenAccess
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/
dc.rights.urihttp://purl.org/eprint/accessRights/OpenAccess
dc.subjectWharton, Edith, 1862-1937en_US
dc.subjectAnderson, Sherwood, 1876-1941en_US
dc.subjectLiterary criticismen_US
dc.titleEdith Wharton's "Book of the Grotesque": Sherwood Anderson, Modernism, and the Late Stories
dc.typeText
dc.description.citationCampbell, Donna. Edith Wharton's "Book of the Grotesque": Sherwood Anderson, Modernism, and the Late Stories. Edith Wharton Review 26.2 (Fall 2010): 1-5.


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  • Campbell, Donna
    This collection features research by Donna Campbell, professor of nineteenth- and early twentieth-century American literature in the English department at Washington State University.

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